It is not an exhibition of his pupils (though they are included) and is not a story of his creative influence on Moscow art of the 2nd half of the XXth century, which is extremely wider. Most probably it is a number of important associations connected with Kabakov, which formed an exposition of the best authors of the present capital art situation from conceptual minimalism to “new visuality”. Most works are made especially for this exhibition, but some of them are remakes of early works, devoted to Kabakov.
Sergey Popov, curator
The Foundation has published an illustrated catalogue of the exhibition with essays by Boris Groys, Amei Wallach and Sergey Popov.